{"id":144,"date":"2010-03-18T16:37:56","date_gmt":"2010-03-18T20:37:56","guid":{"rendered":"http:\/\/playfixer.com\/wordpress\/?p=144"},"modified":"2010-03-19T05:50:00","modified_gmt":"2010-03-19T09:50:00","slug":"on-the-aisle-with-larry-18-march-2009","status":"publish","type":"post","link":"http:\/\/playfixer.com\/wordpress\/?p=144","title":{"rendered":"&#8220;On the Aisle with Larry&#8221; 18 March 2009"},"content":{"rendered":"<p style=\"text-align: left;\"><strong><em>Lawrence Harbison<\/em><\/strong><em>, The Playfixer, brings you up to date with what\u2019s hot<\/em><em>\u00a0and what\u2019s not in New York. This week, Larry tells you about <strong>YANK,BRACK\u2019S LAST BACHELOR PARTY, A LIE OF THE MIND, A BEHANDING IN SPOKANE \u00a0<\/strong><\/em>and <strong><em>EQUIVOCATION.<\/em><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><em>_______________________________________________<\/em><\/strong><\/p>\n<p><strong><em>Yank!<\/em><\/strong> a musical by David Zellnik (book &amp; lyrics) and Joseph Zellnick (music) at the York Theatre Co., has a decidedly different take on the so-called \u201cGreatest Generation.\u201d It\u2019s about gays in the military during World War II and focuses on a young gay man who finds the journal of a kindred spirit who served in the army in the Pacific arena in WWII, a young man named Stu who goes in sexually indeterminate but who realizes the truth about himself when he falls in love with a hunk named Mitch (also indeterminate) and then meets a sexually aggressive reporter named Artie who seduces him and then hires him to be his photographer so they can trot around interviewing and photographing servicemen and, of course, have sex all over the Pacific.\u00a0<\/p>\n<p>My companion of the evening, a playwright who happens to be a Club Member himself, was a little uncomfortable with the stereotypical gay characters and felt that the show reinforced the belief that all gay guys just wanna have sex, even when they\u2019re supposed to be doing something serious, like fighting a war; but we both agreed that the show grew stronger in the second act, when the real homophobic persecution began.\u00a0<\/p>\n<p>The songs are for the most part charming, and Bobby Steggert is very winsome in the central role of Stu. Ivan Hernandez, apparently a straight guy, was totally believable as Mitch and Jeffry Denman was hilarious as the unapologetically sexually predatory Artie.\u00a0<\/p>\n<p><em>Yank!<\/em> has been extended into April and is well worth checking out \u2013 particularly if you\u2019re a Member of the Club.\u00a0<\/p>\n<p>Between acts of Ibsen\u2019s <em>Hedda Gabler<\/em> Judge Brack hosts a stag party in honor of Hedda\u2019s husband, George Tesman. When Tesman comes home from this party, the sparks begin to fly, leading to the play\u2019s tragic denouement. Sam Marks has envisioned what might have transpired at Brack\u2019s soiree in his fascinating <strong><em>Brack\u2019s Last Bachelor Party<\/em><\/strong>, produced by Babel Theatre Project at 59 E. 59 Theatre C. On hand are Brack, Tesman and Eilert Lovborg, whose manuscript Tesman finds increasingly disturbing. It\u2019s a kind of 19<sup>th<\/sup> Century \u201cFuture Shock,\u201d and every time Lovborg reads from it Tesman is projected into the future, where he sees a wife who is a miserable, unhappy woman, played by the actress who will appear as Hedda in the play\u2019s final scene.\u00a0<\/p>\n<p>If you view <em>Hedda Gabler<\/em> as a harbinger of things to come this makes perfect sense. Marks cops out, though, when he finally leaves the party and brings Tesman home to his Hedda, transforming him from a stuffy 19<sup>th<\/sup> Century husband to a contemporary Nice Guy, who comes home to his wife to try and work things out, when what was called for was Total War. The ending\u2019s a cop-out.\u00a0<\/p>\n<p>Nevertheless, the actors are terrific. This one is worth seeing.\u00a0<\/p>\n<p>The New Group\u2019s revival of Sam Shepard\u2019s <strong><em>A Lie of the Mind<\/em><\/strong>, at the Acorn Theatre, has been wildly praised, and its run is completely sold out. I appear to be the solitary dissenter. I have seen the play twice now ( I saw the original production), and I still think it is a retread of themes and characters handled better in earlier Shepard plays, with a lot of wheel-spinning. Add to this the portentous\/pretentious imitation-aboriginal music by Gaines and you just have a production that plays at times almost as a parody of Shepard-ism.\u00a0<\/p>\n<p>The show is much better in the second act, though, and the performances, under Ethan Hawke\u2019s direction, are excellent. Don\u2019t beat yourself up, though, about not being able to get in to see it.\u00a0<\/p>\n<p>After announcing about five years ago that he wasn\u2019t going to write any more plays, Martin McDonagh has changed his mind, and the result is <strong><em>A Behanding in Spokane<\/em><\/strong>, at the Schoenfeld Theatre. This, too, feels like parody; but fortunately it\u2019s pretty damn funny. It\u2019s about a creepy old dude who has spent 47 years travelling the country in search of his lost hand, which was severed when he was 16 by a gang of hillbillies (in Spokane???) when they held his arm on a rail as a train ran over it.\u00a0<\/p>\n<p>This is an admittedly ludicrous pretense for a play; but McDonagh milks it for all it\u2019s worth, helped enormously by Christopher Walken as the one-handed dude. I doubt if there is any other actor who could have pulled this role off, because nobody does creepy\/weird better than Walken. My problem with the play is that, in the end, it really isn\u2019t about anything. It\u2019s a great situation, with no meaning and, hence, no payoff.\u00a0<\/p>\n<p>Finally, I saw one of the best plays and productions I have seen this season \u2013 Manhattan Theatre Club\u2019s wonderful production of Bill Cain\u2019s fascinating <strong><em>Equivocation<\/em><\/strong>, at City Center Stage One.\u00a0<\/p>\n<p>King James\u2019 Main Man Sir Robert Cecil wants to commission William Shakespeare to write a play based on a book supposedly by the King himself about the recent failed Gunpowder Plot, in which a group of radical Papists tried to blow up Parliament. Shakespeare\u2019s company could use the money, and they are anxious to get on the King\u2019s good side; so Shakespeare, who has never written a contemporary play, begins by interviewing the remaining few conspirators, who are being tortured in the Tower. What he finds out about the Gunpowder Plot will surprise you, though it will be no surprise that he never writes the play, realizing that if he does he and his company will be in deep trouble. Instead, he pulls out an unfinished play about a Scottish thane who murders his way to the Kingship of Scotland, throwing in some witches (the King<em> loves<\/em> witches). This mollifies King James, and Shakespeare and the guys escape a very sticky political wicket.\u00a0<\/p>\n<p>Gerry Hynes\u2019 production of this brilliant play is brilliant as well, as are John Pankow as Shakespeare (here called \u201cShagspeare\u201d), Michael Countryman as Richard Burbage and as a Jesuit priest implicated in the Plot whose ability to equivocate cannot save him, and David Furr as an actor in the company who feels he should be playing better parts, a tortured conspirator and a creepily jolly, lusty King James.\u00a0<\/p>\n<p>This one\u2019s an absolute don\u2019t-miss.<\/p>\n<p>________________________________________________\u00a0<\/p>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<td><strong><em>YANK<\/em><\/strong>! Theatre at St. Peter\u2019s, 619 Lexington Ave. (Citicorp Center)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TICKETS:\u00a0 <a href=\"http:\/\/www.yorktheatre.org\/\">www.yorktheatre.org<\/a>\u00a0 212-935-5820<strong><em>BRACK\u2019S LAST BACHELOR PARTY<\/em><\/strong>. 59 E. 59 Theatres, 59 E. 59<sup>th<\/sup> St.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TICKETS: <a href=\"http:\/\/www.ticketcentral.com\/\">www.ticketcentral.com<\/a> 212-279-4200<\/p>\n<p><strong><em>A LIE OF THE MIND<\/em><\/strong>. Acorn Theatre, 410 W. 42<sup>nd<\/sup> St.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TICKETS: SOLD OUT<\/p>\n<p><strong><em>A BEHANDING IN SPOKANE<\/em><\/strong>. Schoenfeld Theatre, 236 W. 45<sup>th<\/sup> St.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TICKETS: <a href=\"http:\/\/www.telecharge.com\/\">www.telecharge.com<\/a> 212-239-6200<\/p>\n<p><strong><em>EQUIVOCATION<\/em><\/strong>. City Center Stage One, 131 W. 55<sup>TH<\/sup> St.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TICKETS: 212-581-1212<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>\u00a0<\/p>\n<p style=\"text-align: left;\"><strong>\u201c<\/strong>Who<strong> <em>is<\/em> <\/strong>this guy<strong>?<\/strong>For over thirty years <strong>Lawrence Harbison<\/strong> was in charge of new play acquisition for Samuel French, Inc., during which time his work on behalf of playwrights resulted in the first publication of such subsequent luminaries as Jane Martin, Don Nigro, Tina Howe, Theresa Rebeck, Jos\u00e9 Rivera, William Mastrosimone, Charles Fuller, and Ken Ludwig, among many others; and the acquisition of musicals such as <em>Smoke of the Mountain, A\u2026My Name Is Alice, Little Shop of Horrors <\/em>and<em> Three Guys Naked from the Waist Down. <\/em><em>\u00a0<\/em>He is a now a free-lance editor, primarily for Smith and Kraus, Inc., for whom he edits annual anthologies of best plays by new playwrights and women playwrights, best ten-minute plays and best monologues and scenes for men and for women. For many years he wrote a weekly column on his adventures in the theater for two Manhattan Newspapers, the Chelsea Clinton News and The Westsider. His new column, <strong>\u201cOn the Aisle with Larry,\u201d<\/strong> is a weekly feature at <a href=\"http:\/\/www.smithandkraus.com\">www.smithandkraus.com<\/a>.\u00a0<\/p>\n<p>He works with individual playwrights to help them develop their plays (see his website, <strong><a href=\"http:\/\/www.playfixer.com\/\">www.playfixer.com<\/a><\/strong>). He has also served as literary manager or literary consultant for several theatres, such as Urban Stages and American Jewish Theatre. He is a member of both the Outer Critics Circle and the Drama Desk. He has served many times over the years as a judge and commentator for various national play contests and lectures regularly at colleges and universities. He holds a B.A. from Kenyon College and an M.A. from the University of Michigan.\u00a0<\/p>\n<p>He is currently working on a book, <strong><em>Masters of the Contemporary American Drama<\/em><\/strong>.\u00a0<\/p>\n<p><span style=\"color: #3366ff;\"><strong>&#8220;It requires a certain largeness of spirit to give generous appreciation to large achievements. A society with\u00a0a crabbed spirit\u00a0and a\u00a0cynical urge to discount and devalue will find that one day, when it needs to draw upon the reservoirs of excellence, the reservoirs have run dry.&#8221;<\/strong>\u00a0<\/span><\/p>\n<p><strong><span style=\"color: #3366ff;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 &#8212;&#8211; George F. Will<\/span><\/strong><\/p>\n<p align=\"center\"><strong>\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lawrence Harbison, The Playfixer, brings you up to date with what\u2019s hot\u00a0and what\u2019s not in New York. This week, Larry tells you about YANK,BRACK\u2019S LAST BACHELOR PARTY, A LIE OF THE MIND, A BEHANDING IN SPOKANE \u00a0and EQUIVOCATION. _______________________________________________ Yank! a musical by David Zellnik (book &amp; lyrics) and Joseph Zellnick (music) at the York [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/playfixer.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/144"}],"collection":[{"href":"http:\/\/playfixer.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/playfixer.com\/wordpress\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/playfixer.com\/wordpress\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/playfixer.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=144"}],"version-history":[{"count":3,"href":"http:\/\/playfixer.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/144\/revisions"}],"predecessor-version":[{"id":147,"href":"http:\/\/playfixer.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/144\/revisions\/147"}],"wp:attachment":[{"href":"http:\/\/playfixer.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=144"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/playfixer.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=144"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/playfixer.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}